Welcome to

Monkey Plunger

Monkey see monkey doo.

Archives

Categories

ReBlog

Tags

TreeHugger Picks: Eco-Laundry

April 9th, 2006 by lux

th-picks-laundry.jpg

Ahh…Friday. The weekend is nigh, which, for some of us means time away from work to attend to life’s simpler pleasures. One of these, without a doubt, is laundry. We all can’t swing by the world’s largest laundromat that uses solar electricity (in Chicago) or have self-cleaning clothes, so here are our picks for doing laundry the TreeHugger way.

1) If you have Samsung’s SilverCare, the machine that generates silver ions to disinfect washwater and clothes to keep your clothes clean longer or Sanyo’s Aqua that cleans your clothes without water, you’re off to a good start. If you’re in the market for a new machine, let TreeHugger help you do your homework.
2) Soap Nuts and Cot’n Wash are good alternatives to traditional detergents.
3) The Airwash just might be the future of laundry, using negative ions and compressed air to get the dirt out.
4) The WonderWash is a hand-operated, electricity-free alternative to getting clothes clean.
5) Once you’re dirty laundry is clean, be sure to follow our how-to list for drying, wearing and future washing.

Originally by Collin Dunn from Treehugger on April 7, 2006, 11:20am

Posted in Green, ReBlog | No Comments »

The 7,000km Journey That Links Amazon Destruction To McDonald’s Fast Food

April 9th, 2006 by lux

Maccy%20Ds.jpg

I don’t believe we have many McDonalds devotees in the audience (please correct me if I am wrong), so this news is probably not going so shatter any treehugger’s illusions! Nevertheless the article that John Vidal published in the Guardian yesterday makes for some startling reading. A recent report on the Brazilian soy bean industry, led by Greenpeace investigators, ‘follows a 7,000km chain that starts with the clearing of virgin forest by farmers and leads directly to Chicken McNuggets being sold in British and European fast food restaurants.’ There are however several steps in the food chain before they arrive at the conclusion that McDonalds is to blame for the destruction of the Amazon rainforest. First stop, after the farmers, is the ‘US agribusiness giant Cargill, which has built a port and 13 soya storage works in the Amazon region. It provides farmers with seeds and agrochemicals to grow hundreds of thousands of tonnes of beans a year.’

(This post continues on the site)

Originally by leonora from Treehugger on April 7, 2006, 7:12am

Posted in Green, ReBlog | No Comments »

Sustain MiniHome: Sustainable Prefab Now.

April 9th, 2006 by lux

minihome%20kitchen.jpg

TreeHugger loves modern prefab- It should make good green design affordable and accessible. It often does not live up to this promise- many are built far away as second homes, founded on concrete and tethered to the grid like any other house. Thats why we continue to be so excited about the Sustain MiniHome- conceptually a travel trailer, it can go anywhere, including parks all over North America. We have gushed over it before here and here but finally got to really see it and we are going to gush again. Everything we talk about at TreeHugger is in this baby.

(This post continues on the site)

Originally by lloyd from Treehugger on April 9, 2006, 6:14am

Posted in Architecture, Green, ReBlog | No Comments »

Subversive Road Signs Ahead

April 9th, 2006 by lux

LED-sign-StGeorge.jpg

Those electric signs that usually warn of construction ahead appear to have been subverted in Toronto- This is set up on the University campus. In fairness, SUV’s are no longer made just in Detroit; our beloved Toyota and Honda seem to put some awfully big things on the road these days, and a lot of them are built right here in Ontario. Watch ::Kevin’s video of it here via ::Spacing

Originally by lloyd from Treehugger on April 8, 2006, 7:14am

Posted in Green, ReBlog, Video | No Comments »

Mine Awareness

April 9th, 2006 by lux


[Image: Deminers at work in Sudan, Jun 01, 2003. Source: UNMAS]

A few day ago (on April 4th to be precise), the UN marked the first annual Mine Awareness Day aimed at bringing more attention to ongoing efforts internationally to address the legacy of land mines, which, according to this BBC article, maims and claims 20,000 lives each year and imperils more than 80 countries. According to the Landmine Monitor Report of 2005, over 200,000 square kilometers of the world are likely contaminated by mines and unexploded ordnance (UXO). Countries with the largest mine-affected areas include Laos, Vietnam, Iran, Iraq, Cambodia, and Bosnia and Herzegovina. In 2004, at least 135 square kilometers of mine-affected land were cleared. Afghanistan reported clearance of the largest amount of mined land (33.3 square kilometers), followed by Cambodia (32 square kilometers). At least 140,000 antipersonnel mines, 50,000 antivehicle mines, and some 3 million items of UXO were destroyed during clearance operations in 2004.

Also see:
Mine Action Service
Landmine Monitor
Booby-trap Country (Subtopia)
On International Mine Awareness Day, UNHCR concerned over dangers facing returning refugees to south Sudan

Originally from Subtopia on April 8, 2006, 1:38pm

Posted in ReBlog | No Comments »

The Underground Geographer

April 9th, 2006 by lux


[Image: Trevor Paglen, overlooking the Groom Lake basin. Photo by Bryan Finoki (2005).]

A friend of mine Trevor Paglen was recently featured on a television segment of ‘Spark‘ for PBS, in a series on local Bay Area artists entitled “The New American Landscape.” He’s a geographer at UC Berkeley researching the “shadow” infrastructure, as he calls it, of the military’s Secret Access Programs, and the landscapes that are quietly produced as a result of the classified spending that goes into them, which he claims is at an all time high right now.


[Image: Unmarked 737 at "Gold Coast" Terminal, Las Vegas, NV. Photo by Trevor Paglen.]

His artwork is a sort of forensic look at the economic permutations of military space that result from this privatization of government real estate: hidden test sites, secret bases, the torture flights of the CIA’s illegal prison archipelago, gulags, detention networks, and other military installations that are guarded by miles and miles of restricted, or inaccessible areas. Such mysterious places function on the scale of cities and small countries, he says, which is interesting to consider in light of a post I made earlier on the proliferation of counter-surveillance subterranean networks, and the emergence of billion dollar black markets pushing their own infrastructures further underground, partly in response to global militarism but also as a natural economic reaction to the hegemony of “globalization”. Either way, the “black world” urbanism of this shadow economy (and the underground world of perhaps its counterpart) has become a truly global imbrication now further removed from any institution of public oversight.


[Image: Control Tower, Tonopah Test Range, NV. Photo by Trevor Paglen.]

In this interview by Rene Gabri, Trevor continues to explain how the cabal of this type of cryptic spending “is not only a socio-political regime, but an ecological one as well. With the introduction of strange chemicals and other materials to the landscape, classified military programs become a source of ecological mutation. The forms of these mutations are themselves classified, but they have often meant death. [...] Like capitalism, “black world” spending has a particular metabolic relationship to nature and to the land.”


[Image: Nixon's Pyramid perimeter acquisition radar at the Safeguard site in Nekoma, North Dakota.]

Tom Vanderbuilt writes in his book Survival City about the salty barren bombing ranges through out the American West which had, during the Cold War, turned near uninhabitable and unwanted landscapes into something modern and functional. The desert, we read, “was alive with the technological sublime, a proving ground for America’s military superiority, technological prowess, and mastery over the limits of nature.” He also points out how the military architecture of the Cold War, like missile silos and installations “are in a sense, the highest expression of the modernist dictum “form follows function.” And so, to look at these landscapes is to look through the prism of rationale that governs them, the architectural logic of the economies which have created them.


[Image: Trevor Paglen in action at Beale AFB, California. Photo by Bryan Finoki (2005).]

I featured Paglen on Archinect last year after traipsing around some air force bases snapping up images of U2’s, and following him on one of his mini-epic 3 day tours of the Tonopah Test Range, racing over some of California’s most psychedelic mountain ranges into Nevada to find some hilariously far-out perches around Groom Lake by which to peer into the hangars at Area 51. You can read all about it in full here.

Originally from Subtopia on April 8, 2006, 5:54pm

Posted in ReBlog | No Comments »

Guitar Hero hacks roundup

April 9th, 2006 by lux

Previously I have investigated game controllers as musical instruments / inputs (here and here), and creating music with video games here. I am really interested in the re-appropriation of gaming technology and environments for creative exploration in sound.

Harmonix, creators of successful music video games such as Amplitude and Frequency, have released Guitar Hero stateside, which is now finally getting a release over here. It’s great to see developers like Harmonix being able to create such titles.
Guitar Hero
Aside from the game, the best thing is an instant hackable input device. CreateDigitalMusic are also interested in this. So here are some things I have found. Have you created a Guitar Hero hack? Post a comment.


Guitar Hero Wireless
Wireless Guitar Hero mod (via Make).


Using a real guitar to control guitar hero -> link

Guitar Hero Hack
Travis Chen and Sunny Chan created this sampling sequencer using Max/MSP, video here. Slightly unrelated, listen to Super Disco Brothers from Travis. (via Kotaku)


Turn Guitar Hero into a real guitar, via Joystiq. Watch videos at the bottom.


Will Carter says: “here’s a quick video (~20 seconds) of the guitar hero controller used as a controller for a super-basic synth I cooked up in 5 minutes…”

Buy Guitar Hero

Originally by chris from Pixelsumo on April 9, 2006, 10:26am

Posted in ReBlog, Video | No Comments »

Digital Graffiti

April 9th, 2006 by lux

With the increasingly interesting work of the Eyebeam OpenLab Graffiti Research Lab, I wanted to post some other graffiti related projects.

The first two projects are about using the graffiti metaphor to create an interactive creative installation, whilst the rest are about using digital technology for graffiti.

Motoglyph
Shown above is Motoglyph by Digit. This was created for Motorolas’ sponsorship of the Miami’s M3 Festival. The installation allowed users to create an image or signature using a physical spraycan, whilst at the same time creating audio feedback to their actions.

The three panels each have a unique sound effect. The first changes the pitch along the Y axis (from your initial registration point) and adds layers of sound loops dependent on acceleration. The second layers a number of sounds loops together depending on acceleration. The third constructs at random a beat pattern from a number of libraries. It then plays this forwards and backwards depending on direction along the X axis. The speed of playback is connected to the acceleration so for example is the user “scribbles” back and forth you will hear a “DJ scratching” effect.

The creations were then uploaded and allowed you to download a ringtone and wallpaper for your phone. The user could select a colour by turning the base of the can, whilst electronics inside relayed data such as distance from screen using infrared, and position tracking using Mimio whiteboard technology. View the website for more technical information and videos.

Digiti
Digiti, created by Kenji Ko, a BA Fine Arts student at Thames Valley University, is like Motoglyph above but as a student project obviously has less funding for the technology. I got to use this at the Takeaway Festival last week. Each can contains a coloured LED, so when you press down on the valve, the light comes on. A camera tracks the colours through the transparent projected screen. Photos of the installation here.

Hektor
Hektor is a Graphics Output Device, created by Jürg Lehni and Uli Franke. I really like this piece.

Hektor consists of a suitcase which contains two electric motors, a spray-can holder, toothed belts, cables, a strong battery and a circuit board which is connected to a laptop and controls the machine. The motors that are mounted onto the wall suspend the can holder through the toothed belts and define its position by changing the length of these belts. Through the use of Scriptographer, Hektor is controlled directly from within Adobe Illustrator, the spray-can follows vector graphic paths and sprays them onto the wall.

Check out the videos, website and PDF for more information.

Graffiti Research Lab
If you are interested in developments in graffiti with digital technologies, check out the Graffiti Research Lab for lots of interesting concepts and open source projects.

Originally by chris from Pixelsumo on April 8, 2006, 8:39am

Posted in ReBlog, Video | No Comments »

Cell phone baby monitor

April 9th, 2006 by lux

The Tricks of the Trade weblog has a quick tip for travelling parents who don’t want to pack the baby monitors:

Call your spouse’s phone with your own, put them both speakerphone mode, leave one in your child’s room, and mute the other.

 
Comment on this post

Related: Using Flickr for decorative photos

Originally from Lifehacker on April 7, 2006, 11:30am

Posted in ReBlog | No Comments »

The Berardo Collection

April 9th, 2006 by lux

Wim Delvoye, Betonmolen (Cement Mixer) (1992)
Margaret Wharton, Chair (1980)
Ernesto Neto, Body Object (1999)
Allan D’Arcangelo, Smoke Dream (1963)
Antony Gormley, Bearing (1993)

I’ve seen a part of it on exhibition, some two years ago, in Sintra near Lisbon. I couldn’t believe my eyes. The Berardo Collection made a big impression even on my dull and ignorant senses (yes, I firmly believe ignorance dulls the senses). What were these masterpieces doing in a tiny, tourist-oriented town? Of course, Sintra’s history is associated with artists (I believe Byron called it “paradise on Earth”), but let’s be honest - this stopped about a century ago. And if there is one thing few visitors care about, it’s going to see a contemporary art exhibit. Fortunately, the Museum of Modern Art didn’t seem to mind, and has been showing a part of the Berardo Collection for several years now. The problem was - the Museum was really no match for this very large (4000 pieces) and diversified (besides modern art, it has notably an impressive poster collection, as well as porcelain, coin and book collections) set. It was too small, and, frankly, simply not quite “cosmopolitan” enough. At least in a country with such a deficit in the appreciation of contemporary art.
The talks with the various Portuguese governments were endless. When I arrived here nearly 4 years ago, there was already talk of a total failure. Through this time, I heard close to nothing of the collection. I know that José Berardo, the businessman who created the collection, got really tired, and mentioned several alternative countries willing to host the collection (France, Italy, U.S.). And now this: the Portuguese government (whose minister of culture has been under great attack of the artistic milieu) has finally made a deal with Berardo. It will be exhibited at the highly prestigious Belém Cultural Center (which is the best place in Portugal culture-wise).
The Berardo Collection is exciting for similar reasons the Gulbenkian Museum is - it was created by a single art-lover with a great sensibility* and significantly too much money. As was the case with Gulbenkian, Berardo opted not to buy the most renowned (expensive) works, but to try and find less known ones with first-rate quality. This makes it somehow less attractive to the average museum-goer or art amateur, and I must admit there were many works by artists I was interested in that I found difficult to digest. On the other hand, when I knew some artist slightly better (or even are more used to a certain language), the work you find (most of the artists are represented by a single work - it’s what is called in agriculture and extensive, not an intensive culture) really made my day.
You can see all the works from the modern art collection at the Berardo site (the site isn’t the best I’ve seen, and the “artist movements” sometimes are simply ridiculous - e.g. “postmodernism” (?) and “experimental art” (?) as two separate movements). You’ll notice how extensive the spectrum of works is. For me, there is one thing missing though: work from outside the comfortable, Euro-American tradition. There is modern art, contemporary art. Very little really new art though. And very little, for instance, from Central and Eastern Europe (haven’t found anything so far!). Of course, art is also a business as any other. New art is a gamble. But the choices (see, for instance, the poster collection, from what I saw 100% American) sometimes seem more related to a certain lack of wider perspective. (Can someone contradict me, please?) Maybe now, when the new museum opens with a year budget of 1 million euro, things will evolve? After all, only 50% of the money will come from Berardo. The other 50% is from the state - and spending state money should be easier, I suppose.

* Apparently Berardo has mainly a sensibility for choosing the right person, as he himself is said to be quite far from having a profound knowledge of art. The person I was told stands behind the class of the collection is Francisco Capelo, himself a great design collector (the great permanent exhibition of the Museum of Design are his adopted babies).

Originally from New Art on April 7, 2006, 4:38am

Posted in Furniture & Lighting, ReBlog | No Comments »

Indian State Shoots for Biodiesel Self-Sufficiency

April 9th, 2006 by lux

jatropha.jpg

The state of Chhattisgarh in the east of India is striving to be the country’s first biofuel self-sufficient state by the year 2015. Of the 160 million jatropha saplings scheduled to be planted across all sixteen of its districts, half of those will be planted in wasteland areas. To encourage farmers to cultivate the hearty fuel crop, the government has decided to give away packages of up to 500 saplings to farmers. Last year, Chief Minister Raman Singh, a key promoter of the program, became the first official to use biodiesel in his government vehicle. The state of Chhattisgarh has ambitious plans to run all state owned vehicles on jatropha biodiesel by 2007. :: Green Car Congress and NewKerala. com (Image credit Daimler Chrysler)

Who knows, maybe someday the US will catch up to India (Or Brazil) when it comes to Biodiesel… Nah! –AM

Originally from Treehugger, ReBlogged by agmilmoe on Apr 5, 2006 at 11:13 PM

Originally from Eyebeam reBlog on April 5, 2006, 11:13pm

Posted in Green, ReBlog | No Comments »

Earth from above

April 9th, 2006 by lux

aleu_vortices_p79r24-23_7-4-02_754

“Karman vortices over the Aleutian islands in Alaska, viewed in infrared bands.”

See more of RemusShepherd’s Landsat 7 photographs.

Earth is cool… –AM

Originally from FlickrBlog, ReBlogged by agmilmoe on Apr 6, 2006 at 10:10 PM

Originally from Eyebeam reBlog on April 6, 2006, 10:10pm

Posted in ReBlog | No Comments »

How to take more effective digital photos

April 9th, 2006 by lux

Webmonkey publishes an excerpt from The Future of Memories: Sharing Moments with Photoshop Elements and Digital Cameras, a book which covers ways to improve your digital photography, including shooting now and fixing later:

Plan for post. You can do everything from adjusting color contrast and temperature to general cleanup later. In Hollywood, they call this “fixing it in post” (post-production.) If you plan on it, you can free yourself from trying to get the perfect image — you can construct it later!

 
Comment on this post

Originally from Lifehacker on April 8, 2006, 4:30pm

Posted in ReBlog | No Comments »

Viruses “trained” to build tiny batteries (Reuters)

April 9th, 2006 by lux

Reuters - Researchers trying to make tiny
machines have turned to the power of nature, engineering a
virus to attract metals and then using it to build minute wires
for microscopic batteries.

One step closer to GNR taking over the universe… –AM

Originally from Yahoo! News - Oddly Enough, ReBlogged by agmilmoe on Apr 6, 2006 at 09:57 PM

Originally from Eyebeam reBlog on April 6, 2006, 9:57pm

Posted in ReBlog | No Comments »

The DIY Digital Photo Frame - Popular Science

April 9th, 2006 by lux

Another interest of mine are these WiFi frame things… soon someone will get it right and we’ll be buying them at KMart as DVR/Video devices for $29.95. You heard it here (probably not first) –AM

Originally posted by keevols from del.icio.us/popular, ReBlogged by agmilmoe on Apr 6, 2006 at 09:53 PM

Originally from Eyebeam reBlog on April 6, 2006, 9:53pm

Posted in ReBlog, Video | No Comments »

Sex Pistols perform Anarchy in the UK on TV in 1976

April 9th, 2006 by lux

Mark Frauenfelder:

200604051727
Spike Priggen of Bedazzled has kindly made available a video of the Sex Pistols performing “Anarchy in the UK” on a 1976 television show. Gee, have the last 30 years flown by as quickly for you as they have for me?
Link

The Sex Pistols always give me a warm fuzzy feeling. –AM

Originally posted by Mark Frauenfelder from Boing Boing Blog, ReBlogged by agmilmoe on Apr 6, 2006 at 12:22 AM

Originally from Eyebeam reBlog on April 6, 2006, 12:22am

Posted in Music, ReBlog, Video | No Comments »

The Word on Tara Donovan

April 9th, 2006 by lux

Saltz431

Tara Donovan
Untitled (Plastic Cups)
2006
PaceWildenstein

an amazingly cool installation; here are some comments:

Jerry Saltz, via artnet, 4/3/06, HEAPS AND CONSEQUENCES:

Occasionally, however, accumulation and multiplication — both of which
may be hard-wired into us — overcome convention and carry you away.
Multiplication connects us to infinity which connects us to our desire
for it; repetition is reassuring, terrifying and mysterious all at once
– it is a field of dreams and a comfortable prison, part of the cosmic
continuum, something that’s been there since the beginning. Repetition
is difference repeated within such narrow strictures that it opens new
possibilities. At its best repetition conjures what Baudelaire called
the "sacred machinery." That’s why sometimes when rooms are filled with
arrangements of objects, when configurations are fashioned from
hundreds, thousands or even millions of similar things, repetition
turns metaphysical, obsession and process become transcendental, and
magic happens. [...]

Saltz432

an excerpt from an interview, MATERIAL SEDUCTION, Tara Donavan in conversation with Oriane Stender, also on artnet:

OS: You have said that you are inspired by Robert Irwin, James Turrell and Sol LeWitt. How about Eva Hesse?

TD:
Eva Hesse is someone I have always studied and respected. The
idiosyncratic nature of her processes has certainly informed aspects of
my own practice. LeWitt’s articulation of rules for constructing work
is a methodology I have incorporated into my practice. I do, however,
feel indebted to artists such as Robert Irwin or James Turrell, who
attempt to construct an evolving phenomenological experience in time
and space with their work.

OS: Do you also feel an
affinity with other younger artists who use accumulation as a major
part of their practice, people such as Tom Friedman, Sarah Sze and Tim
Hawkinson?

TD: Many artists working today are part of
a conversation that clearly extends back to the 1960s, artists with
whom I feel a certain affinity. The breadth and diversity of the
consumer landscape has expanded to such a degree that the materials
which can be adapted to the artistic context are in seemingly limitless
supply. The idea that art can be manufactured or that art can radically
complicate notions of value attached to mass-produced objects is no
longer a point of serious contention in contemporary debates. I think
the new fertile territory encompasses a range of practices that
capitalize on the iconic identities of commercial and industrial
materials by pressing them further into the realm of seduction.

This
is something I try to accomplish with my own work, but I also see this
tendency in other artists such as the three you mention. The focus on
craft that I believe we all share separates us from the strictly
conceptual or minimal concerns that preoccupied previous generations of
artists. Certainly my work has relationships to any number of
contingent practices, but I believe it is the challenge of figuring out
how a particular material can perform its own act of sublimation that
lends my work its distinct identity.
[read on...]

Tara Donovan, "New Work," Mar. 11-Apr. 22, 2006, at PaceWildenstein, 545 W. 22nd Street, New York, N.Y. 10011

More plastic cup art! –AM

Originally posted by joy garnett from NEWSgrist, ReBlogged by agmilmoe on Apr 8, 2006 at 06:07 PM

Originally from Eyebeam reBlog on April 8, 2006, 6:07pm

Posted in ReBlog | No Comments »

FON: WiFi everywhere!

April 9th, 2006 by lux

$25 for a WiFi Router… Free access to the other people with “Fon” routers, and the ISPs are happy because they get $2/day from outsiders. It’s like Nycwireless, but without pissing off those who footed the bill for the pipes. –AM

Originally posted by agmilmoe from del.icio.us/agmilmoe, ReBlogged by agmilmoe on Apr 8, 2006 at 05:18 PM

Originally from Eyebeam reBlog on April 8, 2006, 5:18pm

Posted in ReBlog | No Comments »

The Glamazons - Alison Ward

April 9th, 2006 by lux

texandtrixie_wonder
Wonder Women (2002, 3.6MB, 1:30 min.)

This wonderful clip of a live performance by The Glamazons,
a New York based dance group created by video artist and
burlesque performer Alison Ward, will make your day.

Originally by mica from DVblog on April 9, 2006, 12:00am

Posted in ReBlog, Video | No Comments »

Takashi Kawashima - Seasons

April 9th, 2006 by lux

Seasons
Seasons (2006, 60.4MB, 15:25 min)

Work of heart-stopping delicacy & beauty from
Takashi Kawashima. Don’t be put off by the
size of the download - this work will enrich
your life & make you smile in recollection &
gratitude at unexpected moments of your day.

Originally by michael from DVblog on April 6, 2006, 12:00am

Posted in ReBlog | No Comments »

« Previous Entries

copyright © 2oo6 by Monkey Plunger | Powered by Wordpress

Ported by ThemePorter - template by Design4 | Sponsored by web hosting bluebook