Welcome to

Monkey Plunger

Monkey see monkey doo.

[screen burn - please wait]

March 30th, 2007 by lux

pleasewait.preview.jpg

»Screen Burn (please wait)«, 2005. Steven Read wrote a software program in Apple II Integer Basic that displays an image on the monitor’s screen. Then he ran the program continuously for about 6 months. The software image was eventually burned into the screen because the internal phosphor compounds which emit light lost their luminosity and left behind a ghostly trace. The ‘please wait’ text is actually an image which took over 1000 lines of software code to create. The old Apple II operating systems (DOS 3.x, ProDOS, etc.) did not come with any font facilities, if you wanted a font you had to code it from scratch.

Originally by mail from VVORK at March 28, 2007, 04:53, published by Luis Silva

Originally from Rhizome.org on March 28, 2007, 3:47am

Posted in Art, Images, ReBlog, Sci/Tech, Video | No Comments »

Silky, Sultry, and Smokin’ Hot — A Smoke Photography How-to

February 9th, 2007 by lux

When you first see the swooping, curling, technicolor tendrils in Graham Jefferey’s work, you can’t help but wonder how he can manage to make ordinary gray smoke so beautiful.

Our pal Haje recently collaborated with Graham on a piece that delves into all the details: the lighting, the exposure, the best way to create the right kind of smoke, even the photoshop work needed to create the effect.

Unconvinced? Flip through Graham’s examples and you’ll be fired up to make your own!

A Smoke Photography How-to
www.photocritic.org/2007/artsmoke-photographing-smoke/


 Link to this | Filed under Tutorials.

Originally by photojojo from Photojojo on January 29, 2007, 1:55am

Posted in Images, Photography, ReBlog | No Comments »

I am Tinselman…

May 22nd, 2006 by lux

Boards

If you’re a regular here at Tinselman, you may be aware that I spent some years of my youth on a skateboard…

Skater_1

Look at me go! A careening rocket of raw skateboarding might! I am pure energy! I am pure control! I am tinselman!

I’m not skateboarding so often these days but I still enjoy the decks. They’re a lot more impressive then they were back then. So maybe the skateboarding kid in me has been thrilled to see these decks become slowly accepted as bonafide works of art!

If you’d like to view some of these decks, stop by the “3 Feet High” site and take a look at their gallery. 65 tattoo artists, illustrators, designers, photographers and fine artists, were each given a single blank deck and asked to explore a simple theme. The show will be running in Hoboken, New Jersey until June 2nd, 2006.

Previous skating posts:

Whoah–Hey! and Dogtown
Lords of Venice

Originally from Tinselman on May 16, 2006, 12:37pm

Posted in Images, ReBlog | No Comments »

MAQUILAPOLIS

May 22nd, 2006 by lux




Akin to something crossed between the grassroots filmmaking of
Kids with Cameras
and the participatory-culture of the
Border Film Project
,
MAQUILAPOLIS
, or “City of Factories”, is a self-produced documentary made by (and about) the female workers in Tijuana’s sprawling maquiladora assembly factories.
Shot on digital cameras distributed to a group of promotoras (community-based activists) after a six-week technical training and story-telling workshop, the film follows and “meets women who are each dealing with the hardships of environmental toxins, labor rights abuse, infrastructure and housing issues”, and, among other things - women’s rights.
Filmmaker Vicky Funari, and artist Sergio De La Torre, collaborated together with the women’s organization Grupo Factor X in Tijuana, to organize and help the workers adapt the camera to their daily lives. Through a series of intimate narratives and teamwork, the documentary assembles a portrait of a community managing to create “liveable solutions to the complexities of life in a globalized city“.





Sergio is a friend of a good friend of mine (both of whom are doing great work), but I have to say, this looks like a fascinating project - and I can’t wait to see it. The film “approaches the workers as experts who can provide us with keys to our common future” the website reads, “inviting them to co-author their own story on videotape.” And, isn’t that what it’s all about: communities coming together to bring their own stories to the forefront of larger debates, empowered by grassroots artistic collaboration?
Though I haven’t seen it yet, I will venture to say, what sounds most promising about Maquilapolis besides any poignancy of what it reveals about the maquiladoras themselves (or the real-life cultural impact of “globalization” on the Mexican side of the border), isn’t just the cinematic experience the film leaves behind, but, rather, what it has already gone on to establish with this community of workers for the future. The women continue to use the cameras today as a sort of fixed apparatus for recording and relaying the ongoing struggles and visions of their daily lives, symbolically empowered by their use of the very consumer products they assemble in the factories. The filmmakers are actually looking for additional funding to host an editing workshop in hopes of encouraging more people to become active in the day-to-day documentary story-telling of their plight playing out along the border.





[Image: Tribeca Review of
Maquilapolis
, 04.13.06.]

With all the vitriolic attention on immigration spit out in the media these days, distorted by gross exaggerations of the border being the number one threat to U.S. national security, the time for a genuine depiction of US/Mexico border geopolitics — made (and told) by the people central to the confluence of hardships there — is crucial to our understanding of why, and how, we should seriously consider addressing the region.
In short, the hype over how the maquialdoras were going to boost the Mexican economy has hardly panned out, nor has this industry at all helped to alleviate the pressure of illegal immigration to the United States. In the last 20 years the US/Mexico border has been the fastest growing population of any border region anywhere in the world. There are 12 million illegal immigrants estimated living through out the U.S., but the numbers also suggest approximately 12 million people have migrated to the southern border in that same time, driven by an explosion in consumer goods manufacturing and import/export markets, which have made the 2000 mile stretch the most densely populated geography between any neighboring First and Third world nations. An additional 10-15 million are predicted to crash the border zone by 2020.





[Image:
Bridging Troubled Waters in Ambos Nogales


by Miriam Davidson, 1998.]

According to Tyche Hendricks in the
SF Chron
, “The largest concentration of maquiladora jobs is in Ciudad Juárez, across the border from El Paso, Texas, followed by Tijuana, just south of San Diego. Reynosa, across the Rio Grande from McAllen, Texas, is third in maquiladora employment.” He goes on to write that Reynosa employs “more than 92,000 workers in 200 factories [that] produce everything for the U.S. market from distributor caps to candy canes. Those jobs have made border cities into magnets for workers from the interior of Mexico, where government support for subsistence agriculture has evaporated. The largely American-owned factories, which first arose in 1965, now employ nearly 1.2 million people.” There are approximately 3,500 plus maquiladoras currently operating along the border today.
The failure of the maquiladoras is largely in part because they are essentially legitimized slave factories as opposed to any kind of viable economic alternative for Mexico’s grossly lopsided economy. From what I’ve heard, the average wage of a worker is around $95 a week, and that’s working overtime. Further, neither country’s labor policy has served in any way to discourage exploitation on either side of the fence, but rather has had the opposite effect. “These massive cross-border flows occur by design” says Douglas S. Massey, “under the auspices of the North American Free Trade Agreement. But at the heart of NAFTA lies a contradiction: Even as the United States moves to promote free movement of goods, services, capital and information, we as a nation somehow seek to prevent the movement of labor. We wish to create a North American economy that integrates all markets except one: that for labor“.





[Image: Maquiladoras, by Ingolf Vogeler.]

Those concerns have also been compounded by transnational companies shopping around the globe for competitive exploitable labor, and recent moves have taken many of the jobs to labor markets in Asia. This article reported that roughly 226,000 workers, in a relative short period of time between 2000-01, were laid off by these foreign companies as massive shifts of maquiladora portfolios left Mexico. The author says, “And where do you think all those people went?”
To further show that the maquiladoras have not helped to reduce the influx of illegal immigration, Hendricks cites a U.S. report showing that the number of people working in these factories along the border still continues to rise, as do the number of factories themselves. From ‘90 to ‘05 Maquiladora jobs in Mexico have increased from 454,432 to 1,174,234. So, it is not entirely unobvious to assume that the constant increase in the number of factories crowding the border and the people they employ are in some part responsible, if even perhaps indirectly, to the surge in the number of border-crossers.
Massey, a professor of sociology and public affairs at Princeton University and co-author of the book “Beyond Smoke and Mirrors: Mexican Immigration in an Age of Economic Integration,” has stated, “Instead of viewing Mexican migration as a pathological product of rampant poverty and rapid population growth, we should see it for what it is: a natural byproduct of economic development in a relatively wealthy country undergoing a rapid transition to low fertility in close association with the United States.”





[Image: Many of the homes in Chilpancingo are made out of packing crates the workers buy from the maquilas, 2002.]

To make matters even worse, while the debate remains polarized between a conservative agenda seeking to convert the issue of immigration into one of national security (in order to contract billions of dollars into militarizing the border), and the left, who at least emphasizes the issue as a complex permutation of our own labor policy and practice - the other great concern (which seems to get less and less attention) is the swelling environmental crisis that consumes the region in nightmarish swaths of habitat degradation and catastrophic waste-disposal.
As most of us know, environmental justice is generally linked to economic and social justice. So, it can be the least bit surprising to attempt an explanation of the overwhelming poverty that has piled up along the border and the issue of mass illegal immigration in terms of the environmental consequences systemic to the institution of exploited labor that has defined the border.





[Image: Community members built this makeshift bridge across the river of run-off that divides the two sides of Chilpancingo, 2002.]

The state of roads and sewage infrastructure in most border cities “is sliding toward desperate,” says UC Berkeley Professor Harley Shaiken, an expert in labor and trade. “The maquilas are paying minimal if any taxes, and the result is an infrastructure that is inadequate to the growth taking place.”
According to a friend of mine, Chris Nelson, who is focussing on environmental policy enacted around the border, “Approximately 11% of all the trash in Texas’s Rio Grande Valley landfills in 2002 came from maquiladoras.” Meanwhile, Tijuana is an environmental disaster. Nelson proposes an overall strategy of cleaning up the border as a way to begin restructuring the transborder economy of the region through mutual civic projects that incentivize environmental responsibility, and by bringing forth comprehensive and progressive socio-economic transformation programs through “operationalizing industrial ecology”.





[Image: Ecoparque, an experimental water filration/irrigation project on the steep hillsides of Tijuana.]

Anyway, more on that later. In the meantime, if you get a chance to go see the documentary – do it. Here’s the schedule of dates. And, if you have any spare cash, don’t be afraid to donate. And, if you do manage to see this, shoot me an email, or comment here, because I’d love to hear responses to this. If I get chance to see it, I’ll post a review here. Stay tuned.

Originally from Subtopia on May 11, 2006, 9:26pm

Posted in Economics, Images, Political, ReBlog, Video | No Comments »

Optical Magic | Metropolis Magazine

April 20th, 2006 by lux

Olafur Eliasson transforms the mechanics of seeing into a crucial component of his alluring art.
Optical Magic | Metropolis Magazine

Posted in Images | No Comments »

Euclid Does Kansas

February 22nd, 2006 by lux




[Image: It's back – and it's a real photo. "From space," we read, "Kansas farms look more like a geometric puzzle than sources of corn, wheat and other crops." From Earth, Kansas farms look more like (censored)].

Originally from BLDGBLOG on February 17, 2006, 10:01pm

Posted in Images, ReBlog | No Comments »

And now for something completely different…

November 2nd, 2005 by lux

Touch Me

Posted in Images | No Comments »

Man, this pic takes me back.

November 1st, 2005 by lux

 ~Jwilson Pics-I-Like C30-4
This picture reminds me of when I was a wee lad whiling away the hours playing computer games on monochrome monitored machines at my mothers work while she put in some over time. Ahhh the good old days.
Image from: Pictures I Like For A Variety Of Reasons

Posted in Images | No Comments »

CoronadoFilters.com Solar Image Gallery

November 1st, 2005 by lux

 Images Gallery Max70C Solarmax70CakCoronado Filters, makers of solar telescopes has a gallery of awe inspiring, user submitted images. That giant fire ball in the sky never looked so good. Some of the more amazing photos look to be taken at sunrise/set and feature power poles, trees, and even a few birds silhouetted in the foreground. If anyone wants to buy me one of these telescopes for xmas I won’t be disappointed!

Posted in Astronomy, Images | No Comments »

Saturday morning Sunrise Photo

October 29th, 2005 by lux

millcreek_pano.jpg
Millcreek & Mercury Panorama” by me

Posted in Images | No Comments »

Moonrise over Mill Creek

October 25th, 2005 by lux

DSCF3857.JPG DSCF3860.JPG DSCF3859.JPG
Last sunday on the way home from my usual cycling jaunt around Ft. Monroe I snapped these pics of an amazing moonrise over Mill Creek.

Posted in Images | No Comments »

Deutschland Teeny Pr0n

October 21st, 2005 by lux



Deutschland Teeny Pr0n
Originally uploaded by luxifurr.

Occasionally I receive german pr0n spam. This corrupt image came as an attachment to one such spam. I love broken digital images so I screen capped it.

Posted in Images | No Comments »

My photos on Flickr

September 1st, 2005 by lux

I’ve been meaning to get all my nifty photos organized and posted. Flickr’s so bitch’n I couldn’t resist any longer. Flickr: Photos from luxifurr

Posted in Images | No Comments »

Special opening act at the Social

September 1st, 2005 by lux

This lady came in off the street to open for my pals Abiku and Mose Giganticus at The Social in Myrtle Beach, SC.
Click image to hear audio of the Abikrew and Matt Giganticus having a conversation while our special guest does her set. (718KB .wav)

Posted in Images, Music | No Comments »

Flickr: The The Panopticon: Pictures Of Surveillance Cameras Pool

August 9th, 2005 by lux

Flickr: The The Panopticon: Pictures Of Surveillance Cameras Pool

Posted in Images | No Comments »

copyright © 2oo6 by Monkey Plunger | Powered by Wordpress

Ported by ThemePorter - template by Design4 | Sponsored by web hosting bluebook